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The Proper of the Mass for Sundays and Solemnities, by Fr. Samuel F. Weber O.S.B.
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Introduction by Archbishop Salvatore Cordileone.
The Propers of the Mass book contains English chant settings for the Entrance and Communion Antiphons given in The Roman Missal, 2010, as well as suggestions for the Offertory Antiphons, following the pattern of the Graduale Romanum,1974.
For most antiphons, four levels of settings from complex to very simple are provided, : i. through-composed melismatic; ii. through-composed simple; iii. Gregorian psalm tone; iv. English psalm tone. Optional psalm verses are provided in the Gregorian psalm tone style. Thus this collection provides an option intended to suit the abilities and needs of any choir or cantor.
Ordination and nuptial Masses are also included, as well as the Asperges me and Vidi aquam. The Gloria Patri is given in the eight Gregorian tones, solemn and simple.
- Sales Rank: #479195 in Books
- Published on: 2015-04-08
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x 1.30" w x 6.10" l, .0 pounds
- Binding: Hardcover
- 995 pages
Review
"I highly recommend this new English Gradual to anyone who wants to sing the proper antiphons on a regular basis and is looking for very accessible, yet most beautiful chant in the vernacular. We cannot thank Fr. Samuel Weber enough for all his hard work, a true labor of love and dedication to liturgy and the Church. I am most confident that this new Gradual will become a standard work and hopefully find a home in many parishes." --Dr. Horz Buckholtz, Director of Sacred Music Cathedral Basilica of Saint Louis, St. Louis, MO
"Fr. Samuel Weber has performed an outstanding service to the liturgy of the English-speaking world. He has taken the antiphons of the new English translation of the RomanMissal and provided musical settings for them that are accessible to both parishes and choirs of various levels. In doing so, he has enabled the Catholic faithful to encounter the word of God in an English context that has been inaccessible to them for far too long. The Church has, for centuries, used these antiphons in Latin for her official worship, and now Fr. Weber has made that possible in English as well.
"Fr. Weber has made a quite remarkable contribution to the handing down of the Tradition-in the midst of the Church-in medio ecclesiae. May this collection serve the Church's liturgy, her 'source and summit' in numerous ways, some of which will be known only in eternity." --Rev. Kurt Belsole, O.S.B., Director of Liturgical Formation Pontifical North American College, Vatican City
Most helpful customer reviews
8 of 8 people found the following review helpful.
The Definitive Book of English Chant for the Ordinary Form
By Dr. Peter A. Kwasniewski
THIS is the book so many choirs and scholas have been waiting for, I would even say for 40+ years. If you want to sing Propers (specifically: Entrance, Offertory, and Communion antiphons) for the Mass in English, and you would like to do so with chant melodies that are inspired by Gregorian exemplars and at the same time idiomatic and comfortable in their vernacular adaptation, Fr. Weber’s magnum opus does the job better overall than it has ever been done before. This is hardly a surprise, since Fr. Weber has been chipping away at the task — introit by introit, offertory by offertory, communion by communion — for over twenty years. It can be said without exaggeration that this book has been in progress for decades. It is the definitive book of English plainchant for the Catholic liturgy.
First, the nuts and bolts. What exactly do we find in this 1,000-page volume?
1. An excellent Foreword by Archbishop Salvatore Cordileone (pp. ix–xiii), explaining why the Propers should have pride of place at Mass, how this fits in with Vatican II’s call for participatio actuosa, and how this book responds to the call for a renewal of sacred music.
2. An “Introduction concerning Chant Technique” (pp. xiv–xx). Fr. Weber explains the fundamentals of chant (notation, neums, modes) in crystal clear prose for the non-expert, and offers a wonderful mini-treatise on the art of singing chant, with an explanation of how he has approached the task of setting the English language.
3. The rest of the book, divided into the Proper of Time (pp. 1–771: Advent, Christmas Time, Lent, Holy Week, Sacred Triduum, Easter Time, Ordinary Time, and Solemnities of the Lord), the Proper of Saints (pp. 772–917: solemnities of saints), Ritual Masses (pp. 918–67: ordinations and marriage), Varia (pp. 968–84: Asperges, Vidi aquam, Glory Be tones), and Indices (985–93).
For most antiphons, four settings are provided, from complex to simple: (i) through-composed melismatic; (ii) through-composed simple; (iii) Gregorian psalm tone; (iv) English psalm tone. Cantors or choirs that are ready to tackle it can choose a more melismatic setting, while beginners could easily render the psalm tone; or the choice can be made depending on the length of the liturgical action or other factors. Verses are given for all the antiphons, as well. Other collections tend to presume either absolute beginners or advanced scholas, but Fr. Weber has arranged his book in a way that suits every possible situation, so that it’s easy to “shift gears.”
I can speak from experience about the value of this Proper. On Sundays at Wyoming Catholic College, the chaplaincy offers two Masses: an EF High Mass in the morning, and an OF English Sung Mass in the evening. Music for both Masses is provided by the Choir (different members of the choir at each service). For the evening Mass over the past year, we’ve been singing from a proof copy of Fr. Weber’s Proper, and it has been PERFECT for the liturgy. The combination of well-crafted Gregorian-inspired melodies and approved liturgical texts, usually drawn from Scripture, yields an unambiguously liturgical chant that invests the entrance procession and incensation, the offertory, and the communion procession with due dignity, formality, peacefulness, and a transcendent focus — just as all good sacred music should do. In this sense, The Proper of the Mass is by far the closest thing I’ve ever seen to the Graduale Romanum, from which our schola chants at daily Masses. Going back and forth between these two books, one in English and the other in Latin, has been a surprising and welcome experience of a seamless spiritual and liturgical continuity.
Ignatius Press has done an immense service to sacred music by producing this handsome and compact Gradual for the Ordinary Form of the Mass. If this resource is widely adopted and utilized to the full, it will be a watershed moment in the history of the resacralizing of the Novus Ordo, a key date along the timeline of the hermeneutic of continuity.
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